Monthly Archives: April 2010

Costco v. Omega and the definition of importation

0
Filed under Distribution Right, First Sale, Supreme Court

As I mentioned in my previous post on Costco v. Omega, I would not be surprised if the Supreme Court’s opinion addresses issues that are outside of the narrow confines of the question presented. One of the issues that the Court may address is the definition of importation in Section 602 of the Act. Omega alleged that Costco committed copyright infringement directly under Section 106(3), and through importation of the watches under 602(a), which invokes the Section 106(3) exclusive right of distribution.

The interesting thing about this play is that Costco didn’t import the watches under a traditional use of the term. Costco acquired the watches from a third-party who brought the watches into the United States. The Copyright Act does not define importation or exportation, or distribution for that matter. According to Omega’s Renewed Motion for Interlocutory Summary Judgment:

Any party in the chain of distribution may be held liable for copyright infringement otherwise a distributor could avoid liability simply by using a straw to import the unauthorized copies. UMG Recordings, Inc. v. Disco Azteca Dist., Inc., 446 F. Supp. 2d 1164, 1173 (E.D. Ca. 2006) (“Disco Azteca”), citing Columbia Broadcasting Systems, Inc. v. Scorpio Music Dist., Inc., 569 F. Supp. 47, 48-49 (E.D. Pa. 1983) (“CBS”). Lack of intent or knowledge of the infringement is no defense to infringement. Educational Testing Service v. Simon, 95 F. Supp. 2d 1081, 1087 (numbered paragraph 33) (C.D. CaL. 1999). See also Parfums Givenchy, Inc. v. Drug Emporium, Inc., 38 F.3d 477, 482 (9th Cir. 1994) (“Parfums Givenchy”).

In C & C Beauty, the plaintiff owned a copyright in a two-dimensional artistic design on the box containing Amarige perfume which was manufactured abroad. 832 F.Supp. at 1381. Defendant was an importer of grey market products who imported and distributed the perfume products including the box containing the copyrighted design. Id. at 1382. The court recognized the validity of the plaintiffs copyright based on the prima facie evidence of the copyright registration. Id. at 1383. The Court looked at the pleadings and affidavits and found no question of fact regarding the actions of the defendant importing and distributing the perfume .
with the copyrighted box acquired abroad, without plaintiffs consent. Id. The Court found the test for infringement under § 602(a) had been met. ¡d. (Parfums Givenchy is based on the same set of facts as C&C Beauty. Id. at 1382.)

The Ninth Circuit did not address the issue of whether the receipt of unauthorized imported goods was an importation because it was outside of the scope of the appeal. The District Court had found that all of the claims were barred by the first-sale doctrine, sidestepping the importation issue.

I think raising the argument was a strong tactical play regardless of whether it’s successful. By arguing that Costco’s actions were an importation, Omega forced the District Court, Ninth Circuit and Supreme Court to evaluate how the meaning of Section 109 is informed by Section 602.

Weekly arts and IP Events: April 26-May 2

0
Filed under Events

When What
April, 2010

  • April 26, 2010
  • 7:00 pm
  • 9:30 pm
  • Add event to google
  • St. Louis, MO: Career Planning: The Sequel
  • [link]
  • Show in Google map
  • 6128 Delmar, St. Louis, MO

  • April 27, 2010
  • 5:30 pm
  • 7:30 pm
  • Add event to google
  • Houston, TX: Estate Planning for Artists Seminar
  • [link]TALA is pleased to offer an estate planning for artists seminar presented by Mary Galligan of Galligan and Manning. The session will be held on Tuesday, April 27, 2010 from 5:30 pm to 7:30 pm at the Caroline Collective space at 4820 Caroline Street, Houston, TX 77004. To register, please email < info[at]talarts.org >. Space is limited.
  • Show in Google map
  • Caroline Collective 4820 Caroline Street Houston, TX 77004

  • April 28, 2010
  • 1:00 pm
  • 2:30 pm
  • Add event to google
  • Webcast: Death of Major Label Distribution: Birth of DIY
  • [link]Part of the ABA Forum on the Entertainment and Sports Industries 2010 Teleconference Series.Henry W. Root (Moderator), Esq., Partner, Lapidus, Root, Franklin & Sacharow, LLP, Santa Monica, CA
    Todd W. Brabec, Esq., Author, “Music, Money & Success” and Entertainment Industry Consultant, Los Angeles, CA
    Dara L. Gelbtuch, Esq., Manager of Digital Business Development, Sony Music Entertainment, New York, NY
    J Martin Lett, Esq., Partner, Register | Lett LLP, Atlanta, GA
  • Show in Google map
  • Webcast/ Teleconference

  • April 28, 2010
  • 4:00 pm
  • 7:00 pm
    Add event to google

  • Pittsburgh, PA: So You Wanna’ Be a 501c3?
  • [linkSetting up a 501(c)(3) involves a lot more than you may think. It’s a tricky and costly process and it might not be the best choice right now. Learn about the incorporation process and alternatives that may be more appropriate. You’ll learn about nonprofit governance and management issues and legal requirements. You’ll leave this class with homework, information and an outline to guide you through the next steps.Presenters
    Bob Moll, Executive Service Corps
    Jack Owen, Esq, Rhoades & Wodarczyk, LLC
    Yvonne Van Haitsma, MSW, ESC Program Coordinator, BCNM

    Fee: $65 (Early bird $55 if paid by April 21) - Consider this the first capital expense toward making your arts dream a reality!

    Please register online or by calling 412.397.6000.

  • Show in Google map
  • Bayer Center for Nonprofit Management Regional Enterprise Tower, 425 Sixth Avenue, Ste 2610

  • April 28, 2010
  • 7:00 pm
  • 8:30 pm
  • Santa Monica, CA: NEGOTIATING THE PRODUCER AGREEMENT
  • DESCRIPTION: The producer is considered to be one of the key decision makers in the feature film world. The producer’s responsibilities are often divided into two roles: the “creative producer” and the “line producer.” . . . Understanding the producer agreement is an essential knowledge set for producers, directors, writers and anyone interested in the film business. This workshop will outline and discuss the basic terms of the producer agreement along with important issues to consider when negotiating the deal.SPEAKER: Akua Boyenne, Esq. is a Los Angeles-based entertainment attorney specializing in motion picture and television transactions. Her clients include award-winning and up-and-coming writers, directors, producers and production companies that work in both the studio and independent systems.ADMISSION: General Admission: $20, Members of CLA, Santa Monica Residents and Co-sponsors: $10, Senior Citizens & Students: $5!REGISTRATION: Call CLA at (310) 998-5590, or email Angela (please include your contact info and specify the workshop date(s)) at: clasocaled [at] aol.com.
  • Show in Google map
  • Ken Edwards Center, 1527 Fourth Street, Santa Monica, CA 90401

  • April 28, 2010
  • 7:00 pm
  • 8:30 pm
  • Add event to google
  • San Francisco, CA: Setting-up a Simple Bookkeeping System for Creative Artists
  • [link]This workshop will explain how to set-up a simple and effective bookkeeping system for creative artists. With Gabriela Lujan, C.L.A.’s Business Manager and Bob Pimm, C.L.A.’s Chief Learning Officer and Director of Legal Services.
  • Show in Google map
  • Fort Mason Center, Building C, Room 265

  • April 29, 2010
  • Add event to google
  • NY, NY: 26th Annual Joint Patent Practice Seminar
  • [link]Keynote Speaker, Honorable Pauline Newman, Circuit Judge
    United States Court of Appeals for the Federal Circuit

    $420.00 Registration Fee-if payment is received by April 16, 2010
    $450.00 Registration Fee-if payment is received after April 16, 2010

  • Show in Google map
  • The Hilton New York, Grand Ballroom, 1335 Avenue of the Americas (between W53rd & W54th), New York, NY

  • April 29, 2010
  • 12:30 pm
  • 1:30 pm
  • Add event to google
  • Cambridge, MA: Taming Multiplicity in the Post-Print Era: Law Librarians, Legal Scholarship, and Access to the Law
  • [link]Taming Multiplicity in the Post-Print Era: Law Librarians, Legal Scholarship, and Access to the Law
    Richard A. Danner, Senior Associate Dean for Information Services and Archibald C. and Frances Fulk Rufty Research Professor Of Law at Duke Law School

    RSVP requested *http://tinyurl.com/dannertalk*
    Sponsored by the Harvard Law School Library, the Office for Scholarly Communication, and the Berkman Center

    Professor Richard Danner has been at the forefront of the open access to legal scholarship movement and has also recently written about the role of academic law librarians in supporting faculty scholarship. He will discuss “Taming Multiplicity in the Post-Print Era: Law Librarians, Legal Scholarship, and Access to the Law”.

  • Show in Google map
  • Lamont Forum Room, Lamont Library, Harvard Yard Harvard University Cambridge, MA 02138

  • April 29, 2010
  • 1:00 pm
  • 3:00 pm
  • Add event to google
  • Seattle, WA: WRITERS & FREE SPEECH: IMPORTANT FIRST AMENDMENT CONSIDERATIONS
  • [link]Does the First Amendment permit you to write freely whatever comes to your mind? You may decide not to worry about what others think of the substance of what you write; at what points and for what reasons should you be seriously concerned you might be sued? Do the circumstances change depending on whether you write fiction or news, in-print articles or online blogs? Join attorney Signe Naeve and Washington Lawyers for the Arts for a discussion about how the First Amendment applies to what you write; The discussion will include privacy laws, slander, libel, copyright and trademark, fair use and parody, and when the content of your writing and the forum in which you publish may have legal implications.FEE:
    In advance: $40 attorneys and paralegals; $15 artists and students
    At the door: $45 attorneys and paralegals; $20 artists and students
    Want to attend all three? Pay with a check in advance to the WLA office (701 5th Ave, Ste 4100, Seattle, WA 98104), get three for the price of two: $80 attorneys and paralegals; $30 artists and students.

    REGISTRATION:
    To register, click here to visit Brown Paper Tickets online, or call 800.838.3006. To pay at the door, RSVP to Washington Lawyers for the Arts at 206.328.7053. Please note that the event is subject to cancellation; visit thewla.org or call 206.328.7053 for more information.

    CLE Credit:
    2.0 CLE credits pending

    Signe Naeve: Following several years of practicing intellectual property and media litigation at Perkins Coie LLP in Seattle, Signe is now the Associate Director for the Graduate Program in Intellectual Property Law and Policy at the University of Washington School of Law where she teaches First Amendment and Intellectual Property.

  • Show in Google map
  • Richard Hugo House, 1634 11th Ave, Seattle, WA 98122

  • April 29, 2010
  • 1:00 pm
  • 2:30 pm
  • Add event to google
  • Webcast: Hollywood Calling: Transactions in the Adapting a Book into a Film
  • [link]Part of the ABA Forum on the Entertainment and Sports Industries 2010 Teleconference Series.Eric S. Brown, Franklin, Weinrib, Rudell & Vassallo, P.C., New York, NY
    Michael I. Rudell, Franklin, Weinrib, Rudell & Vassallo, P.C., New York, NY
  • Show in Google map
  • Webcast/ Teleconference

  • April 29, 2010
  • 5:30 pm
  • 7:00 pm
  • Add event to google
  • Nashville, TN: Gallery Relationships: A Legal Perspective for Visual Artists
  • Ever thought about showing your artwork in a gallery but didn’t know where to start? This seminar will discuss legal issues artists should know about when showing with a gallery, including the nature of the artist-gallery relationship, inventorying artwork and consignment agreements. This program is a must for every visual artist and attorneys who represent them!BONUS: Stay after the program to visit the Frist Center galleries, which are open late on Thursdays. The Frist is graciously providing complimentary admission (and free parking) for seminar attendees!Reserve your spot today by RSVPing to: VLPA [at] abcnashville.org or (615) 743-3055.Cost: $10 – ABC Members, $15- Non Members
    CLE (1.5 hours): $50 – ABC Attorneys, $75 – Non Member Attorneys
  • Show in Google map
  • Frist Center for the Visual Arts (919 Broadway)

  • April 29, 2010
  • 6:00 pm
  • 8:00 pm
  • Add event to google
  • NY, NY: CopyRight and Risk in Film Practice
  • CLE: The Copyright Society of the U.S.A. is a NY CLE Approved Provider. This course is Transitional and Nontransitional, and provides 1 Credit (based on 60 minutes).Please join us for a free, jointly-sponsored evening of cocktails and film discussions on Thursday night, April 29th, 2010 from 6-8 PM at the Benjamin N. Cardozo School of Law. Whether you are young or simply young-at-heart, the Young Professionals Division of the Copyright Society of the USA and the New York State Bar Association’s Entertainment, Arts and Sports Law Section are excited to invite you to come, network and hear from some experts in the film industry. And, thanks to the generous support of the Cardozo Intellectual Property Society enjoy an open bar and snacks as well.CopyRight and Risk in Film PracticeThis panel will provide a look into business and copyright aspects of the film production, finance and distribution. Topics may include mitigation of production and distribution risk, chain-of-title, errors and omissions insurance, and determination of copyright infringement damages. The panel may also address the controversy surrounding the proposed Cantor Exchange which, if approved by federal regulators, will provide a platform for trading of derivatives based on domestic box office receipts.

    SPEAKERS: We are privileged to present respected practitioners Ezra Doner and Dennis Angel and our moderator Professor Derek Bambauer (Brooklyn Law School).

    To attend this exciting panel discussion, please complete the registration form, and mail or fax it to: The Copyright Society of the U.S.A., 352 7th Ave., Suite 739, NY, NY 10001, Fax # (212) 354-2847, by Tuesday April 27th. We look forward to seeing you on April 29th!

  • Show in Google map
  • The Benjamin N. Cardozo School of Law, 55 Fifth Avenue, New York, NY

  • April 30, 2010
  • Until May 2, 2010
  • Add event to google
  • Napa, CA: SFIPLA: Spring Seminar 2010
  • [link]
  • Show in Google map
  • Meritage Resort and Spa, 875 Bordeaux Way, Napa, CA 94558

  • April 30, 2010
  • Until May 1, 2010
  • Add event to google
  • Cambridge, MA: ROFLCON II
  • [link]Another two days and two nights of the most epic internet culture conference ever assembled. Informed commentators suggest that this may be the most important gathering of humanity since the fall of the tower of Babel. And yes, we’re still looking to get Goatse.
  • Show in Google map
  • The Massachusetts Institute of Technology

  • April 30, 2010
  • 10:00 am
  • 5:00 pm
  • Add event to google
  • NY, NY: Self Defense for Writers and Filmmakers
  • [link]Speaker: Mark Litwak
    This seminar explains how writers and filmmakers can prevent problems from arising by properly securing underlying rights, and by encouraging the other party to live up to agreements by adding performance incentives, default penalties and arbitration clauses. In the event of a dispute, participants learn what remedies are available to enforce their rights.

    * 8 New York CLE Credits Available (Professional Practice, Non – Transitional Only)

  • Show in Google map
  • Manhattan, TBA
May, 2010

  • May 2, 2010
  • 5:00 pm
  • 6:00 pm
  • Add event to google
  • Santa Monica, CA: CLA’s Third Annual Artistic License Awards
  • California Lawyers for the Arts invites you to join us for our Third Annual Artistic License Awards event at the William Turner Gallery in Santa Monica on Sunday, May 2nd. We will also be celebrating our 35th year of services to the arts.C.L.A.’s Santa Monica event will honor California First Lady Maria Shriver; U.S. House Representative Diane Watson, founding board member of C.L.A.; Geffen Playhouse for their Education and Outreach Program; law firm Munger, Tolles & Olson and attorney Elsa Ramo for their pro bono assistance to arts and arts organizations; and sculptor Robert Graham (in memoriam).This special event will consist of a reception, silent/live auction, awards ceremony, and music/entertainment program celebrating this year’s honorees. Family, friends, and colleagues are also welcome to join us for this outstanding and festive celebration. Feel free to pass this invitation on to your networks!http://www.mynewsletterbuilder.com/email/newsletter/1410281945

    To RSVP, download our reservation form here or call our Santa Monica office at (310) 998-5590. For more information, please visit our website at http://www.calawyersforthearts.org.

    Invitation to follow for the companion event in San Francisco on Friday, May 14th. Honorees include Speaker of the House Nancy Pelosi, the San Francisco Symphony, law firm Fenwick & West, Rhodessa Jones of Cultural Odyssey, and museum executive Henry Hopkins (in memoriam).

  • Show in Google map
  • William Turner Gallery, Bergamot Station, 2525 Michigan Avenue, E-1, Santa Monica, CA 90404

Attorneys’ fees evaluations in unpublished decisions

0
Filed under Attorneys' Fees, Useful Article

Lanard Toys, Ltd. v. Novelty, Inc. (9th Cir. 2010) (unpublished)

The Ninth Circuit recently affirmed a jury decision finding that, among other things, a slingshot was not a noncopyrightable useful article. (H/t Raymond Dowd.) I thought I would briefly address the Circuit’s attorneys’ fees analysis since fees are apparently the topic of the week.

After determining the appropriate defendants to access attorneys’ fees against, the Circuit wrote one sentence on whether the District Court’s granting of fees was appropriate: “An award of attorneys’ fees on appeal is appropriate in this case pursuant to 17 U.S.C. 505, to further the purposes of the Copyright Act — i.e, to protect copyrights and deter infringement.”

If I’m allowed to be nit-picky about an unpublished memorandum issued by an overburdened Circuit, the Copyright Act’s directive is to Promote the Progess of Science. Graham v. John Deere Co., 383 U.S. 1 (1966) (adopting Richard Crosby De Wolf‘s disjunctive reading of the Progress Clause.) The deterrence of infringement is a means to an end, not an end in and of itself. The Supreme Court has noted that attorneys’ fees should be awarded, at the court’s discretion, to encourage “meritous” infringement claims, and to encourage clearly demarcated boundaries of the Copyright Act. Fogerty v. Fantasy, Inc., 510 U.S. 517 (1994) (reversing the Ninth Circuit and finding that a prevailing defendant cannot be held to a more stringent standard than a prevailing plaintiff in an attorneys’ fee evaluation under the Copyright Act.)

This begs a pair of question: If one of the purposes of awarding attorneys’ fees is to encourage clearly demarcated boundaries, are parties being denied neutral application of the Copyright Act when a Circuit elects to issue an unpublished opinion. How can litigants be rewarded for assisting in the demarcation of boundaries when a Circuit elects to issue an unpublished opinion?

The idea/expression dichotomy in Chinese copyright law

0
Filed under Academia

Stephen McIntyre, a 3L at Duke Law School, has posted a nice piece of scholarship on the idea/expression dichotomy in Chinese copyright law. The abstract:

The idea/expression dichotomy, which holds that copyright protection extends only to expression, but not to ideas, is internationally recognized as a basic principle of copyright law. Yet despite the doctrine’s fundamental importance, China has not codified it in its general copyright statute. This legislative failure threatens to undermine the public-oriented goals of copyright and presents a dilemma to Chinese courts, which are not authorized to make or develop doctrine through recognition of judicial precedent.

This Article provides the first in-depth study in English of the idea/expression dichotomy in Chinese copyright law. It demonstrates that, even though the doctrine is not codified, it is widely acknowledged among Chinese academics and regularly applied in Chinese courts. The doctrine has faced linguistic, cultural, and conceptual challenges in China, and early court decisions left much to be desired. Nonetheless, an analysis of recent judicial opinions reveals that modern courts understand the idea/expression dichotomy and apply it in a reasonably coherent and defensible manner. Their exposition of the doctrine is largely, although not entirely, consistent with its underlying purpose of promoting free speech and safeguarding the public domain.

The courts’ relative success in filling this statutory hole suggests that Chinese judges play an underappreciated, but crucial, lawmaking function. This finding in turn raises intriguing questions as to the authority and function of China’s judicial system generally.

Supreme Court grants cert in Costco v. Omega

8
Filed under Extraterritoriality, First Sale, Importation, Supreme Court

On Monday (Patriots Day in New England) the Supreme Court granted certiorari in Costco v. Omega. I’ve provided a rundown of the case in late March so I will dispense with the background. A couple of comments on the Supreme Court’s decision to grant cert:

The most interesting part of blogging cases is watching the conversation between the different branches of government and the many layers of our judicial system. I was somewhat surprised when the Supreme Court invited the Solicitor General’s Office to brief cert but upon reflection it made sense. Congress, in enacting the Pro-IP Act, arguably re-framed a core component of copyright law without substantial debate before passage. The invitation by the Supreme Court may have been an attempt to force the Executive to take a position on an issue that was not given discussion before enactment.

To that end, I question whether the Supreme Court’s decision to grant cert in Costco is rooted in forcing debate on the contours of the first-sale doctrine. Oral arguments will provide a spotlight, even if the Supreme Court has no intention of disturbing the Ninth Circuit’s (and all of the other district courts’ that have addressed the issue) interpretation of Sections 109 and 602. If Congress does not amend the provisions in the near future it will likely become a lasting component of American copyright law, given the momentum it takes to pass any law in the U.S. The granting of cert, then, could be an attempt by the Supreme Court to ensure that the contours of the first sale doctrine accurately reflects current Congressional intent before momentum takes hold.

I would not be surprised if the Supreme Court’s opinion contains language on issues that are not directly at bar, such as whether parties can raise 109(a) as a defense in cases involving foreign-made copies so long as a lawful sale has occurred, or about the viability of the defense of copyright misuse.

The Solicitor General’s Office led with the argument that cert should be denied because there was no circuit split, instead of with its statutory analysis. The petitioners made the argument in opposition that the Court should grant cert because there was no circuit split, and unless the issue was addressed post-haste, it would likely become accepted cannon. I made the observation in my previous post on Costco that the Supreme Court appears to grant cert in copyright cases for issues that fundamentally affect the structure of copyright law, and circuit splits play a modest part of the evaluation process. The decision of the Supreme Court to grant cert in Costco provides more support for this contention.

The American Federation of Musicians, which is affiliated with the AFL-CIO, presumably favors the Ninth Circuit’s interpretation that Section 109 does not limit distribution rights in works manufactured outside of the United States. But the Ninth Circuit’s decision, Costco argued, will negatively impact American manufacturing, which I would assume is closer to the core of the AFL-CIO’s lobbying efforts. The AFL-CIO (AFM) elected not to brief on cert. It will be interesting to see if they jump in on merits. A petition could provide a signal of how much, if at all, labor unions are concerned about the Ninth Circuit decision’s possible negative impact on American manufacturing.

Previous posts on Costco v. Omega:

Court Documents:

On the first copyright suit under the Statute of Anne

1
Filed under Academia

H. Tomás Gómez-Arostegui, Associate Professor of Law at Lewis & Clark, has posted an article on SSRN about the first copyright suit brought under the Statute of Anne. The article, titled The Untold Story of the First Copyright Suit Under the Statute of Anne in 1710, contains transcriptions of court documents from the case:

This is the story of Tonson v. Baker, the first copyright suit brought under the Statute of Anne in 1710. Filed in the Court of Chancery three months after the statute went into effect, the case pitted the most famous publisher of the day against a gang of notorious book pirates. The case was never reported, but it has now been pieced together using over 100 manuscript records marshaled mainly from archives in London, England, and from hundreds of other primary sources. After recounting the suit and the circumstances surrounding it, this Article uses Tonson v. Baker as a launching pad to demonstrate how copyright history can remain doctrinally relevant today. The subject of my critique is the Supreme Court’s decision in Feltner v. Columbia Pictures Television, Inc., which concerned the constitutional right to a jury trial for statutory damages under the Copyright Act of 1976. The Article closes by providing transcriptions of the manuscript court documents from Tonson.

9th Cir. provides gloss on work-for-hire analysis in case involving data conversion claim

0
Filed under Jurisdiction, Ownership

JustMed, Inc. v. Byce, 07-35861 (9th Cir. 2010), on appeal from JustMed, Inc. v. Byce, 05-cv-00333-MHW (D. Idaho 2010) (judge magistrate decision finding, inter alia,  conversion of data).

JustMed was a two man tech startup that was attempting to bring a hands-free digital voice larynx to market.  The defendant-counterclaimant was hired to revise and complete the source code for the product. The defendant began working full time on the code, and was paid in stock and not wages. The parties never entered an employment or independent contractor agreement (the company generally did not keep formal records other than a series of notebooks). The defendant also never filled out an I-9 employment verification or W-4 tax withholding form for much of the relationship, which lasted for a number of years. The company never issued the defendant a W-2 wage statement, withheld taxes, paid workers’ compensation or unemployment insurance, provided benefits, or reported the employment to the state. The defendant lived in a different state than the company and worked from home setting his own hours, and the company did not tell him how to spend his days.

The defendant was included in JustMed’s company profile brochure and had a business card. The defendant also updated the company website and attended conferences, marketing meetings, and demonstrations on behalf of JustMed.

The relationship between the owner of the company and the defendant soured when the defendant discovered a spreadsheet showing that there was a large disparity in the shares owned by him and by the President of the company, and when his finances became tenuous due to the lack of monetary payment. The company then collected tax paperwork from the defendant and issued three checks, which were never cashed. At that point, the defendant changed the copyright notice on the source code so it reflected his name, and deleted all copies of the source code from JustMed’s computers.

JustMed filed in state court alleging a series of state law claims including, among other things, conversion of the source code and misappropriation under the Idaho trade Secrets Act. The defendant removed to federal court asserting that the case required determination of ownership of the software under the Copyright Act, and later filed a counterclaim seeking a declaratory judgment that he owned the copyright in the source code.

Jurisdiction

The Ninth Circuit raised the issue of whether it had jurisdiction sua sponte. It’s important to remember, when accessing the court’s analysis, that the defendant’s counter-claim regarding copyright ownership does not impact jurisdiction. Courts look to the factual allegations underlying the well-pleaded complaint, and only the complaint, to determine whether a case arises under the federal Copyright Act. Holmes Group, Inc. v. Vornado Air Circulation Systems, Inc., 535 U.S. 826 (2002).

The Circuit found that JustMed was required to “prove it owned the source code to prevail on its trade secret and conversion claims, and that the ownership rights under the Copyright Act overlap with those constituting common law ownership.” The Circuit thus found that the allegations “directly implicate” and arise under the federal Copyright Act. This is an interesting extension of the findings in Community for Creative Non-Violence v. Reid, 490 U.S. 730 (1989), which the Circuit relied upon as precedent. CCNV was a dispute over copyright ownership. JustMed v. Byce, in contrast, was a dispute involving trade secret and common law (do we have a name for these?) rights in the data that was influenced by the issue of copyright ownership.

Work made for hire inquiry

The Circuit’s analysis of whether the work was made for hire also contained a substantive gloss on existing case law. Copyright usually vests in the author or authors of the creative work. The Copyright Act contains an exception to this general provision where, under 17 U.S.C. 201(b) (“works made for hire”),  “the employer or other person for whom the work was prepared is considered the author” and rightsholder. The Supreme Court found in CCNV that when “Congress uses the terms “employee,” “employer,” or “scope of employment,” it means to incorporate principles from the general common law of agency. Accordingly, “the hiring party’s right to control the manner and means by which the product is accomplished” is the central inquiry here. JustMed, Inc. v. Byce, 07-35861 (9th Cir. 2010) (citing CCNV, 490 U.S. at 740-4).

The Circuit found that the district court did not err in holding that the source code was a work made for hire. The Court noted that “as a small start-up company, JustMed conducted its business more informally than an established enterprise might. This fact can make it more difficult to decide whether a hired party is an employee or an independent contractor, but it should not make the company more susceptible to losing control over software integral to its product.” Among the Circuit’s more interesting findings:

JustMed’s treatment of Byce with regard to taxes, benefits, and employment forms is more likely attributable to the start-up nature of the business than to Byce’s alleged status as an independent contractor. The indications are that other employees . . . were treated similarly. Insofar as JustMed did not comply with federal and state employment or tax laws, we do not excuse its actions, but in this context the remedy for these failings lies not with denying the firm its intellectual property but with enforcing the relevant laws.

On Rule 68 and the Copyright Act’s fee shifting provisions

0
Filed under Attorneys' Fees, Rule 68

UMG Recordings, Inc. v. Veoh Networks Inc., 2010 WL 1407316 (C.D. Cal. 2010) (order denying attorneys’ fees)

Eric Goldman and Ray Dowd pointed to a tasty issue concerning Rule 68 and the Copyright Act last week. Some of you may be familiar with UMG v. Veoh, which I wrote about here, here, here and here. Veoh ultimately prevailed and the case resulted in a substantial amount of law. According to some reports, however, the case was largely responsible for the company’s bankruptcy.

The Central District of California last Wednesday denied Veoh’s motion for attorneys’ fees, citing Nimmer for the proposition that “[T]here is typically no award of fees in cases involving issues of first impression or advancing claims that were neither frivolous nor objectively unreasonable.” 4 Nimmer on Copyright § 14.10.

The Court also addressed a Rule 68 argument for fees forwarded by Veoh.  The Rule provides that if a party makes a settlement offer, and the recipient of the offer denies it and then proceeds to obtain a judgment that is not more favorable than the offer, the recipient must pay costs incurred after the offer was made. Veoh argued that the award was automatic; UMG argued the reverse, that Veoh may not recover fees under Rule 68 if it is not entitled to fees under the Copyright Act. The Court only provided a brief analysis but ostensibly adopted UMG’s argument, concluding that Veoh may not recover attorneys’ fees pursuant to 68 because it was denied fees under the Copyright Act.

Professor Goldman commented:

While it’s certainly fair game for Congress to decide that Rule 68 is irrelevant to copyright actions, I find it hard to believe that’s what was intended. Rule 68 serves a valuable social policy of encouraging early settlements, and we should value that result in copyright litigation just as much as any other area of litigation. So it seems like someone–either the judge or Congress–screwed up; either way, it should be fixed so that Rule 68 becomes a fallback to statutory fee-shifting provisions rather than being mooted by them.

I take no position on whether Rule 68 should be used in copyright suits to encourage settlements, except to state that encouraging settlements in copyright cases may not be a policy aim that is recognized by the Supreme Court. As the Court found in Fogerty v. Fantasy, Inc., 510 U.S. 517 (1994):

Because copyright law ultimately serves the purpose of enriching the general public through access to creative works, it is peculiarly important that the boundaries of copyright law be demarcated as clearly as possible. To that end, defendants who seek to advance a variety of meritorious copyright defenses should be encouraged to litigate them to the same extent that plaintiffs are encouraged to litigate meritorious claims of infringement. In the case before us, the successful defense of “The Old Man Down the Road” increased public exposure to a musical work that could, as a result, lead to further creative pieces. Thus a successful defense of a copyright infringement action may further the policies of the Copyright Act every bit as much as a successful prosecution of an infringement claim by the holder of a copyright.

Indeed, the Central District of California cited the passage from Fogerty in the attorneys’ fees component of its order.

Perhaps the most interesting part of the Central District of California’s decision was how it struggled to be internally consistent. UMG v. Veoh, comparing apples to oranges, made as much law as any other case in the past two years. If granting fees in copyright cases is neither appropriate under Rule 68 (to encourage settlement) nor Section 505 (inter alia, to  foster law) then the only policy aim that remains is that fees are directed towards discouraging frivolous claims and arguments.

Nimmer’s statement that “there is typically no award of fees in cases involving issues of first impression” strikes me as an accurate descriptive statement. But I question whether the Nimmer’s quotation should be used in a normative fashion, as the Central District of California did in its attorneys’ fees evaluation. The Supreme Court stated that a clear demarcation of legal boundaries of copyright law is  policy aim of the Copyright Act’s fee provisions. If a court implicitly uses this policy statement from Fogerty to deny an award of fees under Rule 68, then it seems uncomfortable to also deny fees under Section 505 of the Copyright Act.

Is the registration backlog at the Copyright Office a recent occurrence?

1
Filed under Copyright Office, Registration

  • Title: Copyright deposits in the basement before classifying
  • Date Created/Published: [1898?]
  • Medium: 1 photographic print.
  • Summary: Photographs shows interior view of hall with piles of copyright deposit materials on the floor in the Thomas Jefferson Building.
  • Reproduction Number: LC-USZ62-38245 (b&w film copy neg.)
  • Rights Advisory: No known restrictions on publication.
  • Call Number: U.S. GEOG FILE – Washington, D.C.–Library of Congress–Jefferson Building–Interior–Offices–Copyright Office [item] [P&P]
  • Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

Edit: A friend of the program sends word that the processing time, presumably for an online submission, is down to 30-45 days, which is welcome news.

Weekly IP and art law events (April 12-April 18)

0
Filed under Events
  • IP, Entertainment and Art Law Events
  • When What
    April, 2010
    • April 12, 2010
    • Until April 13, 2010
    • Add event to google
    • Washington, DC: The 2010 National Arts Action Summit
    • [link]

      The 23rd annual Arts Advocacy Day is the only national event that brings together a broad cross-section of America’s cultural and civic organizations, along with hundreds of grassroots advocates from across the country, to underscore the importance of developing strong public policies and appropriating increased public funding for the arts.

    • Show in Google map
    • Omni Shoreham Hotel 2500 Calvert St. NW Washington, DC 20008
    • April 12, 2010
    • 1:30 pm
    • 10:00 pm
    • Add event to google
    • NY, NY: “Day of Panels” at NYLS brought to you by MESLA
    • The Media, Entertainment, and Sports Law Association at New York Law School is hosting its keynote event of the year on Friday, April 16th. A collection of distinct panel discussions will feature more than 15 practicing attorneys specializing in various legal fields including but not limited to Music, Film, Fashion and Advertising. The event will consist of four panel discussions showcasing the diverse expertise of its distinguished panelists in order to provide a rare educational and networking opportunity in an extremely competitive practice area. As a student organization with limited resources, MESLA truly benefits from the efforts of NYSBA members to support the discussions and your colleague/panelists. This event promises to be an engaging lineup of panel discussions.

      We encourage all members to join MESLA and its distinguished panelists this Friday at New York Law School, located on 185 West Broadway. Hosting an exceptional panel discussion is only one part of MESLA’s mission to connect our institution to the Entertainment Law industry in New York City; we need your help! Please help us continue to serve our student body by sending your RSVP to this address (frank.poe[at]law.nyls.edu). We look forward to seeing a room buzzing with stimulating conversation and excitement.

      Below is a link with directions to New York Law School as well as a schedule of the panels. The event is free of charge but space is limited and RSVP is mandatory by Tuesday April, 13th. Also please be sure to indicate which panels you would like to attend.

      Fashion: The Expansion and Development of Trade Dress – 12-15 a.m.- 1:30 p.m.

      Film: Production Legal Issues: Beginning, Middle, and Distribution: April 16th, 1:45 – 3:00 p.m.

      Film: Financing, Advertising, and Product Placement: April 16th, 3:25 – 4:30 p.m.

      Music: The New Music Industry and the Digital Revolution – 5:00- 6:30 p.m.

    • Show in Google map
    • New York Law School
    • April 12, 2010
    • 6:00 pm
    • 8:00 pm
    • Add event to google
    • Boston, MA: The Future of Digital is Print: Flipping strategies upside down to
    • Andrew Davis of Tippingpoint Labs will challenge your mind with his dynamic presentation.

      All are invited and these sessions are free of charge.
      Please register in advance at http://www.bbboston.org.

      Check the website soon for additional details, including the presenters’ biographies!

    • Show in Google map
    • The Bill Bordy Theater at Emerson College—216 Tremont Street, across from the Majestic Theatre and next to the Tam Bar
    • April 13, 2010
    • 5:30 pm
    • 7:30 pm
    • Add event to google
    • Houston, TX: Nonprofit Orientation Session
    • [link]

      These sessions are designed to provide information to those interested in forming a tax exempt, nonprofit corporation and cover the basic function and structure of exempt organizations, bookkeeping and tax issues related to exempt organizations, and other pertinent information. Session will be presented by Erin Rodgers, TALA Staff Attorney.

    • Show in Google map
    • TALA Office 1540 Sul Ross Street Houston, TX 77006
    • April 13, 2010
    • 7:00 pm
    • 8:00 pm
    • Add event to google
    • San Francisco, CA: JOURNALIST EVAN RATLIFF WILL DISCUSS HIS ATTEMPT TO “VANISH”
    • * JOURNALIST EVAN RATLIFF WILL DISCUSS HIS ATTEMPT TO “VANISH” at the next installment of EFF’s dynamic Geek
      Reading series on Tuesday, April 13. In a groundbreaking
      experiment last August, Evan challenged readers of
      Wired Magazine to track him down as he dodged across
      the country. Evan will share his behind-the-scenes
      experiences of what it means to disappear in the digital
      age, exploring the questions of privacy, surveillance,
      and identity. Join us this upcoming Tuesday at 7 PM at
      111 Minna Gallery in San Francisco. Hope to see you there!

      For ticketing information:
      http://action.eff.org/site/Calendar?view=Detail&id=100181

    • Show in Google map
    • 111 Minna Gallery
    • April 14, 2010
    • 7:00 pm
    • 9:30 pm
    • Add event to google
    • St. Louis, MO: Music and Money: The Invisible World of Music Publishings
    • [link]

      Get sound advice from Shawn Murphy, former director of ASCAP’s Chicago office. He’ll explain why publishing is where the money is in the music business. He’ll also outline the benefits of joining ASCAP or BMI.

    • Show in Google map
    • 6128 Delmar, St. Louis, MO
    • April 15, 2010
    • 2:00 pm
    • 2:45 pm
    • April 15, 2010
    • 4:00 pm
    • 6:30 pm
    • Add event to google
    • Boston, MA: Ten Ways to Conceive of the Derivative Work Right in Copyright Law
    • [link]

      PANEL

      PROFESSOR JESSICA SILBEY, MODERATOR
      Suffolk University Law School

      PROFESSOR PAMELA SAMUELSON, COMMENTARY
      Distinguished Professor of Law, Berkeley School of Law

      PROFESSOR JULIE E. COHEN
      Harvard University Law School

      PROFESSOR STEPHEN M. MCJOHN
      Suffolk University Law School

      ALFRED C. YEN
      Boston College Law School

      PROFESSOR JONATHAN ZITTRAIN, HARVARD LAW SCHOOL
      Co-Founder and Faculty Co-Director, Berkman Center for Internet & Society

    • Show in Google map
    • Suffolk University Law School, 120 Tremont St., Boston, MA
    • April 15, 2010
    • 6:00 pm
    • 8:00 pm
    • Add event to google
    • Kansas City, KS: Insiders’ Guide to the Arts in the Kansas City Metropolitan Area: A Panel Presentation
    • [link]

      The panel will include:

      · Leaders from leading arts organizations that have artists’ resources and education
      · Legal advisors for artists starting their own businesses or marketing themselves
      · A prominent gallery director
      · A screenwriter/director who has made a living in film-making and education
      · An arts grant manager
      · A dance company manager

    • Show in Google map
    • YWCA of Greater Kansas City, 1017 North 6th Street, Kansas City, KS 66101
    • April 16, 2010
    • 8:00 am
    • 5:00 pm
    • Add event to google
    • St. Louis Park, MN: Spring Symposia to Explore Trade Secret Law
    • [link]

      The Evolution of Trade Secret Law is topic of April Hamline Law Review Symposium

      Hamline Law Review will host a spring symposium, “The Evolution of Trade Secret Law: Reflecting on 30 Years of the Uniform Trade Secrets Act,” on Friday, April 16 from 8 a.m. until 5 p.m. Trade secret scholars from around the country will gather to assess the meaning, impact and future of the Uniform Trade Secret Act (UTSA), which was adopted 30 years ago.

      For more information, visit http://law.hamline.edu/hamline-law-review or contact Deb Lange at 651-523-2122 or dlange [ at ] hamline.edu. Please note that 6.5 CLE Credits will be applied for.

    • Show in Google map
    • Hamline University School of Law, 1600 Utica Avenue, Saint Louis Park, MN 55416
    • April 16, 2010
    • 9:00 am
    • 5:00 pm
    • Add event to google
    • Washington, DC: 7th Annual IP/Gender Symposium: Gender & Invention
    • [link]

      Sponsored by American University Washington College of Law’s

      Program on Information Justice and Intellectual Property
      Women and the Law Program
      Journal of Gender, Social Policy & the Law
      In collaboration with Dan Burk, Chancellor’s Professor of Law, U.C. Irvine

      The Spring 2010 symposium on Gender and Invention will be highly interdisciplinary, including historians, social scientists, legal academics, cultural scholars, and practicing lawyers.

    • Show in Google map
    • American University Washington College of Law, 4801 Massachusetts Ave, NW, Washington, DC 20016
    • April 16, 2010
    • 9:00 am
    • 11:00 am
    • Add event to google
    • Melrose Park, PA: IBM and the Holocaust: Legal and Ethical Implications
    • [link]

      By Edwin Black. As the Third Reich embarked upon its plan of conquest and genocide, IBM and its subsidiaries helped create enabling technologies, step-by-step, from the identification and cataloging programs of the 1930s to the selections of the 1940s, all for the sake of profit. Mr. Black will review the carefully crafted corporate collusion with the Third Reich as well as the structured deniability of oral agreements, undated letters, and Geneva intermediaries.

      One (1) ethics and two (2) substantive credits: $100
      Breakfast included; dietary laws observed.
      Doors open at 8:30 am; course starts promptly at 9:00 am.
      Speaker’s publications available for purchase and signing.

    • Show in Google map
    • Gratz College, 7605 Old York Road, Melrose Park, PA 19027
    • April 16, 2010
    • 9:30 am
    • 3:30 pm
    • Add event to google
    • Winona, MN: Marketing for Artists and Artists & Web 2.0
    • [link]

      $70, including lunch. Registrations being handled through the Outreach/Continuing Education Dept

    • Show in Google map
    • Tau Center, 511 Hilbert St., Winona, MN,
    • April 16, 2010
    • 1:00 pm
    • 4:30 pm
    • Add event to google
    • Melrose Park, PA: Following the Trail to “Dead City”
    • [link]

      This course presents the intriguing story of Egon Schiele’s painting, Dead City, after it was stolen by the Nazis and legal efforts to bring it back into the Grunbaum family.

      By Raymond J. Dowd of Copyright Litigation Blog.

      Three (3) substantive credits: $100
      Discount for full day: $185. Contact Mindy Blechman for discount: mblechman@gratz.edu; 215-635-7300 x 154
      Lunch included for participants who attend both classes.

    • Show in Google map
    • Gratz College, 7605 Old York Road, Melrose Park, PA 19027
    • April 17, 2010
    • 9:30 am
    • 3:30 pm
    • Add event to google
    • St. Paul, MN: Professional Practices for Mid-Career Artists
    • [link]

      Jackie Battenfield is a painter and printmaker, living in Brooklyn, New York. She is the author of The Artist”s Guide: How to Make a Living Doing What You Love published by Da Capo Press, 2009.

      $100, advanced registration required

    • Show in Google map
    • Springboard Office, 308 Prince Street, Suite 270, St. Paul, MN, 55101
    • April 17, 2010
    • 12:00 pm
    • Until April 18, 2010
    • 2:00 am
    • Add event to google
    • Mt. Vernon, WA: Moving Forward: Resources for Artists
    • [link]

      Miguel Guillen, Artist Resources Manager for Artist Trust, will discuss the essentials of presenting your work; how to get informed about the funding and exhibition possibilities available to Washington State artists; and information on health care, insurance, emergency assistance, and legal services available to artists.

    • Show in Google map
    • Skagit Valley College, Room: Hodson 211, 2405 East College Way